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My work is born from time and observation. I photograph horses and presences not to describe them, but to construct images in which form, light, and silence become a language.

Each photograph is the result of a slow and controlled process, where nothing is left to chance and the final image is conceived to exist over time, both as an object and as a work of art.
My work is born from time and observation. I photograph horses and presences not to describe them, but to construct images in which form, light, and silence become a language.

Each photograph is the result of a slow and controlled process, where nothing is left to chance and the final image is conceived to exist over time, both as an object and as a work of art.
My work develops through projects built over time, far from any logic of rapid or serial production.

Each image emerges from a dialogue between light, space, and subject, and is conceived from the very beginning as a work meant to exist beyond the screen: printed, observed, inhabited.

I am not interested in effect or performance. What matters to me is control, precision, and everything that makes an image solid—readable over time and not tied to a trend or a specific context.

This approach runs through both my personal work and commissioned projects, maintaining a coherent and recognizable visual language.